Commission for University of Pennsylvania
Clifton Center for Medical Breakthroughs
In waiting rooms, time moves at a different pace—slowed, stretched, and shaped by uncertainty. This work reflects that experience through sequences of images that suggest time passing without settling into a single, fixed story. Swipe-like gestures move across the surface like screen transitions, carrying the images backward and forward, interrupting them, revisiting them, and pulling them apart. Folded, cut, and layered photographs echo one another without fully aligning, while false shadows and shifting overlaps create a quiet sense of instability, as if memory itself is being assembled and revised in real time.
The photographs come from the surrounding neighborhoods, creating a visual space that feels intimate, immediate, and reflective. They are printed, cut, folded, scanned, and reworked through digital layering, collage, and painting before being UV-printed onto wood panels and set within walnut frames. Bringing together photography, sculptural construction, and digital processes, the work develops a visual language of fragmented memory and unsettled storytelling.