The Center for Ongoing Research & Projects (COR&P) is examining the nature of objects in a year long program that unfolds as chapters. The first chapter featured work by Nathalie du Pasquier and I am honored to follow with work in Chapter 2.
EXHIBITIONS, PRESS & OTHER NEWS
Links to articles about Kate Bonner's art work, and news of upcoming exhibitions.
The Center for Ongoing Research & Projects (COR&P) is examining the nature of objects in a year long program that unfolds as chapters. The first chapter featured work by Nathalie du Pasquier and I am honored to follow with work in Chapter 2.
Check out new, tiny pieces that I made for the Material Art Fair in Mexico City, up the weekend of 2/4-2/7.
Et al., Booth B8
Material Art Fair
Mexico City, DF, MEXICO
Follow this link for more details.
Also, I'm honored to be included in Julio César Morales's Picks From the Material Art Fair 2016 on Artspace.
Pleased to announce I have new work in the group show Not a Photo at The Hole in New York. Follow the link below for more details.
Not a Photo
The Hole
312 Bowery
New York, NY
11/29 - 1/16
Opening: Sunday, 11/29 5-7pm
All new work at EXPO Chicago this weekend at Luis De Jesus booth #814.
Navy Pier
600 E Grand Ave
Chicago, IL
9/17, 6pm - 9pm
9/18, 11am - 7pm
9/19, 11am - 7pm
9/20, 11am - 6pm
From a review in the Jackson Hole News & Guide:
"The vast majority of the art we see — in Jackson Hole and pretty much everywhere else — comes in neat, tidy packages: a surface, covered with paint, contained by a frame, displayed on an otherwise blank span of wall. Artist Kate Bonner, however, mutilates that neat package, exposing the guts of our traditional ideas about what a piece of art is and thus forcing us to confront and question those ideas." -- Read more here. (Credit: Richard Anderson)
Two person show featuring my work and the work of Daniel G. Baird
Lynchpinned & Bitten
In the Pines
130 South Jackson Street
Jackson, WY
9/11 - 10/12
Opening: Friday, 9/11 8-10pm
California-based menswear label MATIERE (www.matiere.com), has a pop-up at the Liberty Fair retail space -- -- for the month of September, and my artwork will be there too.
8/29 - 9/13: Tuesday-Sunday 12-7pm
Concept 8366 1/2
8366 1/2 West 3rd Street
Los Angeles, CA
Honored to be artist of the week on LVL3 -- check out my interview here.
Chicago Expo
with Luis De Jesus gallery
Navy Pier
600 E Grand Ave
Chicago, IL 60611
Friday, 9/18, 11am-7pm
Saturday, 9/19, 11am-7pm
Sunday, 9/20, 11am-6pm
PARIS PHOTO LA
at Luis De Jesus, Stage 32, Stand 8
Paramount Pictures Studios
5555 Melrose Avenue
Los Angeles, CA
May 1-3, from 12-6pm
More info here
Luca Antonucci & Kate Bonner
"Subject to Change"
Tmoro Projects
1046 Sherman Street
Santa Clara, CA 95050
4/18 - 5/16, Opening Saturday 4/18, 3-5pm
Curated by Evan Reiser
more info here
Second Sight: New Representations in Photography ventures beyond our preconceived perceptions of what is and what is not photography today.
Torrance Art Museum
3320 Civic Center Drive
Torrance, CA
5/28 - 5/14
Reception: Saturday 3/28, 6-9pm
More info here.
Wow, honored to be on this list of nine artists to watch at Art Los Angeles Contemporary.
1/30 - 2/1, 11am-6pm
The Barkar Hangar
3021 Airport Avenue
Santa Monica, CA 90405
Proud to be included in the Pacific Coast issue of New American Paintings -- available through January.
If you are in the Los Angeles area, please stop by The Pit on January 11 (4-7pm) to see my work in Mending Wall. Other artists in the show include Leonor Antunes, Alisa Baremboym, Huma Bhabha, Rachel Harrison, John Houck, Jake Kean Mayman, Ann Greene Kelly, Sean Kennedy, David Shull.
The Pit
918 Ruberta Avenue
Glendale, CA
http://www.the-pit.la/
Check out my work at the UNTITLED FAIR in Miami this week.
Booth B10 || Luis De Jesus Gallery
Ocean Drive & 12TH Street, Miami Beach
OPEN TO THE PUBLIC
December 3 - December 7
Check out my work on the SculptureCenter's blog!
Art Practical reviewed the Et. al show --
"Situated between photography and sculpture, Kate Bonner’s work in The Path of a Free Object defies easy explanation. Neither the minimal sculptural mounts nor the haphazard photographs are compelling as individual objects. Rather, the magic in this compact show lies in the unexpected combination of the two: Bonner’s point-and-shoot photographic aesthetic at odds with the linearity and rigidity of the colorful sculptural mounts."